a-ha’s stunning debut album from 1985 back on wax. mastered by ron mcmaster at capitol studios, pressed on 180 gram.incl world no.1 take on my, the sun always shines on tv & hunting high & low !

listen like thieves is the fifth album by australian rock band inxs. it was released in 1985 and is generally considered as their breakthrough album. inxs completes its transition into an excellent rock & roll singles band with this album.
it includes three of their greatest songs: >what you need<, >listen like thieves<, and >kiss the dirt (falling down the mountain)<.

first album of modogsta, the alliance of three producers, dj mofak, dogg master & busta brown.

a collection of 12 house classics on double 12” vinyl, housed in a gatefold sleeve.

ein schauer aus fuzz und punkrock, aus verträumtem grunge und seele entblössenden texten, das ist das zweite album der kalifornischen punkrocker monster treasure. stell dir vor, blondie spielen unbekannte nirvana-cover im cbgb’s der frühen 1980er, als es grunge noch nicht gab, und du kommst annähernd dorthin, wo monster treasure stehen. transparentes, mit regenbogenfarbenen spritzern coloriertes vinyl plus downloadcode.

along with his rival, cornell campbell, johnny clarke was one of the most esteemed singers of the roots reggae era. having grown up next door to a popular sound system on waltham park road in western kingston, clarke s early fascination with music led him to hang out at studio one with jacob miller while still at school. he then made the rounds of talent shows with barry brown, sugar minott and the diamonds, which led to a debut recording in 1973, for the pianist glen stair, which remains unreleased. an early effort for clancy eccles, ‘god made the sea and sun,’ was not promoted properly, though ‘everyday wondering,’ for rupie edwards, impacted in britain, ‘golden snake’ for stamma houghton and a cover of smokey robinson’s ‘you really got a hold on me’ for glen brown were also false starts. the breakthrough finally came in 1975 when clarke linked with bunny lee, who had him voice the rastafari landmark ‘none shall escape the judgement’ (written by earl zero, who failed to muster a credible take), which kick-started the ‘flying cymbal’ craze. clarke’s resultant debut album, enter into his gates with praise, mixed hard-hitting rastafari devotional material with sympathetic cover versions of classics by the likes of the paragons, slim smith and delroy wilson, along with a few reggae renditions of some vintage american r&b.

in 2012 bottin presented a mysterious neo-italo-wave band: cristalli liquidi. this album, finally, unveils the mystery: cristalli liquidi is not a band, not in the conventional sense of the word. it s entirely bottin s music, lyrics and vocals, with a little help from his friends. this long overdue lp not only introduces original works, but also breathes new life into remakes of obscure italian pop songs. sun-blushed synthwork is embraced by vocals steeped in romance, vocals en italiano no less. the many guises of the glitterball are unveiled, from the deep bass and smooth funk of 70s disco into the catchy hooks of the 80s and beyond to darker tones and lovelorn laments. across nine tracks the venetian takes you on a journey, as his homeland of italy is musically explored through past and present. cristalli liquidi is an album some five years in the making, five years at first glance. in reality, this lp is a narrative that spans almost thirty-five years. from the poets and songwriters who inspired bottin to the friendships and collaborations that made this project possible, this is an album forged through memories old and new, a heartfelt account of relationships between people (and synthesizers too!)

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

previously unreleased on vinyl - now available as 180 gram 2x12 inch in gatefold sleeve

that time has come around again… two new edits and a new mind behind them. a caledonian sonic assassin traversing the globe from lo stivale to the land of the rising sun… two sympathetic contortions for loved ears.

last year’s on the corner underground smash release, the 12” ep santuri’s embaire umeme, introduced uganda’s mugwisa international xylophone group (m.i.x.g) to the world. the recordings center on the embaire, a giant xylophone native to ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. the instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end. these recordings may be esoteric in nature but they add important context to the santuri’s embaire umeme 12” and are a vital documentation of the iganga village’s culture, as well as that of uganda. jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. remix duties are led by griot house innovators, the diabolcal liberties, who have raved-up some sun ra frequencies for the cosmic junglist crew. last but never least, victoria topping has created beautiful artwork using the session photography taken by jones during the recordings

the authorized hendrix family edition - definitive 2lp collection of the complete performance at berkeley community theatre on may 30, 1970 in its original sequence. double vinyl in gatefold sleeve, including a deluxe 8 page booklet with rare photos and comprehensive liner notes.

no matter where the winds may blow, what storms may come or what pirates will do, the transatlantyk ship is still sailing. navigated for the last three years by zambon out of berlin, ultimately avoiding the shallow waters of the generic and constantly patrolling the seas in search of exciting sounds. after all that sailing the label just had to replenish its ranks with some fresh faces - those still capable of voyaging into the unknown. joining the crew is a young gun tamten, who by day serves as a vinyl pusher in warsaw s finest side one record store. what he does by night is not the matter of this short text, but we are sure he does a lot of it. hence his love for all things distant - from subaquatic pads and floating riffs, to new-age-y siren voices, otherworldly effects and percussion drenched in reverb. there is a lot of similarly distant, sun-bleached material on this five tracker, full of a druggy and hippy balearic feel. beautiful ambient jam przebudzenie is the stand out track, but znaki czasu is equally as good with its simple, yet memorable melody, reminding of dawns and sunsets on some god forsaken beach. sultry deepness of nieznajoma is followed by enchanting digital exotica of wyrocznia and wavey trip-hop cut po burzy . overall its one of the strongest eps that transatlantyk managed to co-opt into its growing catalogue. definitely one for the dreamers.

beck verdankt seinem zweiten album odelay ganze zwei seiner insgesamt 5 grammy awards. vollkommen zurecht, das album mit tracks wie »where it’s at« und »devil’s haircut« wurde nicht nur aus kritikerreihen hochgelobt, sondern auch zu einem weltweiten radioerfolg.
sein siebtes album sea change ging in musikalisch neue wege. mitgenommen von einer schweren trennung, wurde sea change zu beck’s ruhigstem und emotionalsten album bislang. der größte kontrast folgte allerdings ein paar jahre später, mit beck’s achtem album guero. das genre-aufwühlende album schoss direkt auf platz 2 der billboard charts – als einziges seiner alben.
die mischung machts, denn beck überzeugt gekonnt mit seiner gewohnt ungewohnten mischung aus pop, rock, folk, country, rap, hip-hop, und und und ...
180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

the delsin re-issue arm turns its attention to lost trax. this ep features four cuts taken from two different eps, the saturnian system and lost trax 2 from 2006 and 2010 respectively. saturnian system opens the ep with some acid laced electro slickness. fluttering snares and spacey synths carry it away into the cosmos, then the sequel gets much busier. scurrying lines dart about in manic but funky fashion, with serene pads off setting the high energy drums. self destruct sequence then drops into an urgent, slippery electronic groove riddled with squelchy sounds and rubbery bass all perfectly orchestrated. last of all, birth is a nimble electronic house cut with plaintive synths and kinetic drums that wiggle and wriggling through the night sky. this is an ep stuffed with timeless sounds and is another essential reissue from delsin.

double vinyl gatefold album with heavyweight black vinyl, 20pp booklet, 30cm x 30cm art print and downloadcode.
the desecration of desire is the first album in 14 years from techno heavyweight dave clarke. the follow up to his acclaimed 2013 album devils advocate the new album is a dark, ruthless journey including features by mark lanegan, mt. sims, gazelle twin, anika and louisahhh and reinforces his title as the baron of techno, a moniker given him by the late, great bbc radio dj john peel.

standard 140 gram red double vinyl in gatefold sleeve with downloadcode.
the desecration of desire is the first album in 14 years from techno heavyweight dave clarke. the follow up to his acclaimed 2013 album devils advocate the new album is a dark, ruthless journey including features by mark lanegan, mt. sims, gazelle twin, anika and louisahhh and reinforces his title as the baron of techno, a moniker given him by the late, great bbc radio dj john peel

bisher persönlichstes album von anja schneider auf ihrem neuen label sous

al zanders makes his debut on phonica’s main label after a sold-out release on sister label karakul and also wolf music, blind jack’s journey and his own az label. the double a-side kicks off with ‘there is rhythm’, a percussive house anthem with plenty of momemtum, a tom-tom bassline and ‘rhythm’ vocal samples and that’s even before the sun-soaked pads and euphoric synth stabs come in.

notes by mick glossop & manuel göttsching, printed innersleeves with rehearsal and live photos, physical lp + cd only, no digital! 2015 live recording from supersense festival melbourne, previously unreleased, featuring a supergroup around manuel göttsching, ariel pink, oren ambarchi, shags chamberlain playing material from the classic ash ra tempel.

the follow up to sbr001 is a solo ep from resident artist alci, who is no stranger to the scene having built a solid catalogue and following within the underground circuit. against all authority provides three outputs from alci, all strong and solid cuts built with an attention to detail and subtle elements. sbr002 continues on a strong form that echoes the philosophies behind the people and its music that form sunday breakfast.

b-stock! cover with seam split. vinyl unaffected & mint. earth patterns is a new journey into sound by london based australian born musician ben davidson, best known for his disco tinged house singles as ben sun, that were championed by the likes of gerd janson and larry heard. the earth patterns concept presents a more expanded instrumental sound with live rhythm sequencing and synth work, sitting alongside vangelis katsoulis, lars bartkuhn and soichi terada on alex bradleys utopia records. davidson joins the dots between detroit by way of tokyo techno on sunflower to dream ii science deepness on horus rising and some worldly organic rhythms for a modernist and dare we say it utopian sound on after the rain. the analogue sound from his london studio comes through on the gentle and harmonic b-side opener transit pan perhaps the start of a journey beyond the dance floor for the producer. artwork and liner notes by davidson himself, all pressed by bespoke pressing plant the vinyl factory on heavyweight vinyl.

aaaron joins forces with newcomers deckert and singer valentine to unveil the new title track for connected. the three combine all the talents of each individual to create something really special. while aaaron provides a sub heavy african inspired groove pattern and combines it with deckert’s intense harmonies, valentine finishes off the track with her touching voice performance and lyrics that are both melancholic and deep. wether you listen to it on your odyssey through the night or while watching the sun rise again: if you had to choose a hymn for your last night on this planet, ‘l.d.o.e.’ might be your future pick. floyd soaks up everything that was happy, bright and ancestral and pushes it straight into the void twisting it into a hypnotic techno chant where leftovers leave nothing but ashes behind. perfect for a rough peaktime approach or the early morning hours when the storm is hitting the coast. this track is a predator and will haunt you in your dreams through an endless jungle of insanity.

london based disco outfit faze action team up with celebrated anglo/brazilian artist, nina miranda for proto house crossover. faze action have always managed to take different musical traditions and blend them to create sounds that are somehow familiar whilst simultaneously containing the unexpected. last year s mangwana, featured long time faze action collaborator, zeke manyika, singing in his native zimbabwean shona over faze action s infectious disco production. this time, british/brazilian singer, artist and all round creative force de majeur, nina miranda, takes things further with her invitation to vamos pintar or let s paint, in portuguese. on the surface there is the familiar faze action restyled proto house but it soon becomes apparent that the brothers have appropriated more than just a brazilian vocal. punchy 808 drums and fizzy synths are infused with brazilian caixa and pandaro as if they had always been designed to co-exist. the remixes come from the illustrious max essa, whose british born/tokyo resident background chimes well with the international nature of this latest offering. his slo-mo bubble dub simmers with mediterranean sun that reclines into romantic piano flourishes and dubbed out vocals, whilst the extended dub manages to draw out the original elements at their original tempo. faze action s own paradise 90 dub closes the package by keeping close to the original arrangement with added economy and plenty of dub delay of course.

after a break of six years matt returns to his off-key industries imprint with a varied blend of trippy warehouse belters, sun drenched spine tinglers and slow motion acid. already receiving support from the likes of marcel dettman, santiago salazar, perc, truss and others. its also been downloaded for richie hawtin & marco carola, whatever that means.

derek carr joins subwax with a fine 4 track warm sounding ep, this one is carrying all of derek s quality trademarks and here he proves once again he is the man of the moment.

has underground house really run out of ideas? the aesthetic is no doubt getting worn out: you can barely move for tounge-in-cheek dj aliases, palm-tree emojis and vhs screen grabs of 90s a-listers. against that backdrop, helter cuts through like a rough-edged asteroid. -polaris ep-, the london producer s debut vinyl release after a few leaked tracks created a buss on soundcloud, hits the reset button on the hackneyed discourse that surrounds decayed house music. the four tracks on offer cascade between blasts of tectonic rhythm, colour and melody, and washed-out ambience, intertwining and soaking into each other. the deck is still broken, but it punches in all the right places. a sun-warped, boards of canada sequel pumped full of adrenaline and grit. the soundtrack to a broken ecstasy, sure to leave half the kids in a trance and the other with shit dripping down their legs. helter is pushing the genre of misshapen house music into a new dimension - one with more energy, and through a truly shattered lens.

the latest installment on roam recordings features nozz aka damon jee aka jérôme da silva. most known as damon jee for his widely acclaimed remixes, jérôme has been branching out with outstanding originals under his nozz alias. in his misfits ep for roam nozz delivers two excellent new productions. the title track is a cool rock infused guitar laden stunner with class and attitude while hippy home is a dreamer of a tune perfect for greeting the sun or losing yourself in a closed eyed dance session. the misfits ep comes with two top remixes from the emperor machine and autarkic. the first remix is a tour de force performance with a sound that is unmistakably the emperor machine – intricate, dubbed out, lasers, and superb production. autarkic s version of hippy home adds an eclectic edge to the ep with a cacophony of orchestral and quirky sounds that somehow perfectly keep in line with the stripped down feel of this remix. the misfits ep brings together three artists at the top of their game and is a fine addition to the ever growing roam recordings catalog.

a complex web – the story of dive position and the shining path ... began in 1982 when peter miller (aka dr. william s ray – vocals, tapes, guitar) met andrew millar (aka maurice spectograph the nose-y pieman – program execution) in gold coast, australia. while sharing a similar taste in music, they decided to form a band, so dive position was born. equipped with a korg synthesiser and tascam 4-track recorder, they -wanted to have the sound of kraftwerk, the groove of can, and the menace of throbbing gristle-, ending up with -a cross of suicide and the residents-, as peter recalls. in a local record shop they met stig andre leonardson (aka vincent blackshadow), who joined the duo on percussion and drum machine programming. their motto was -now is then-. dive position then became the fatal charm around 1984, and the fatal charm became the shining path who eventually released their only album -basic training manual- in an edition of only 250 copies, most probably in 1986. the band then started to drift apart, and shortly after andrew sadly passed away – this compilation -now is then- comprised of previously unreleased dive position and the shining path material is dedicated to his memory.

first time acoustic album from a-ha, featuring all the hits plus two brand new tracks on triple vinyl, housed in a gatefold sleeve.

after more than 1 million album sold around the world, jay-jay johanson presents his 11th album.

metempsychosis vinyl 001 invites you to the sonic soundscapes of tapefeed along with a remix by vril. here, we are presented with the unfolding of both legend and reality, abstract and matter, sound and touch. a journey, a mythical trip into the japanese tale of amaterasu, goddess of the sun and susanoo, god of chaos narrated through the literature of pulsing drum kicks, transcendental snares and atmospheric drones. through the evolution of the tracks we are invited to retrace the steps taken by the gods from the darkness, disorder and dismay created by susanoo to the lucidity, light and ultimate return of order as the gleaming amaterasu re-emerges from her cave. this story, visualised by sound is to be perceived through the unrestrained movement of your body, in the same way the dawn goddess ame-no-uzume danced, luring the sun back into the sky. here, we ask you to let go, abandon yourself and embrace the dawn at the end of the eclipse.

dutch dj, producer and dekmantel family member young marco kicks things off with a beautiful, melodic, waterfall of a track. it’s a record you’ll want to play out on a yacht, while sipping on a rosé under the warm, afternoon sun. 2017 has been nothing short of an epic year for marco, having already compiled the second in the selectors compilation series for dekmantel, in addition to having released the second lp as gaussian curve, alongside gigi masin, and johnny nash. marco is in good company, as dutch-based artist suzanne kraft crafts a delightful, ambient-meets-house, summer groove, that lives at the most relaxed of paces, sitting side-by-side on the a-side. flip the record over and dekmantel favourite, and dutch house institute tom trago finds himself in a moment of blissful summer haze, with soft, sonic-pallets and waving melodies. concluding the record is long serving dekmantel mainstay, and rednose distrikt main-man awanto 3 with an analogue, and feel-good, electro-beat rhythm.

alpenglühen, the madrid-based monthly nights, focused in ambient techno, emerges in september,2014, inspired by the film -dogville- and the optical phenomenon happening when the last ray of sunshine slowly disappears over the mountains, now, with the moto -exploring the thin line between darkness and light-, alpenglühen, the label, is born, influenced by those sessions. the first installment is produced by the duo, pajaro dune. a young project formed by two well known talented producers from valencia, who gives us a promising kick off release. 4 highly crafted tracks which are somewhere between techno (in its deepest and atmospheric stage), contemporary music and impressionistic electronics. partially inspired on the research by konstantin batygin and michael e. brown on the evidence for a planet the size of uranus between 200 and 1000 au far away from the sun. the titles of the tracks are all but one real objects of our solar system whose movement is theoretically affected by the presence of a distant giant planet yet to be discovered.

after doing a couple of remixes over the past years noise destruction is back on hellcat tunes with a new ep. this dj duo from novi sad, serbia has released tracks for labels like neuform, laus, proloop, headtunes, itech soundsystem, people that make the music,etc. now these guys are delivering the versatile zeebeats ep, packed with true house grooves. heavy baselines, tight rhythms, old school chords and evolving synth lines is what this ep is all about.

post-punk pop meets ethereal wave vazz are one of scotland s best kept secrets. includes a bonus cd of piano works.... tip!

solar phenomena is a brand new label on an exciting astral crusade. the take-off pilot for our virgin mission is none other than decorated polish producer echoplex. one of the country’s first breakthrough international techno artists, his body of work dates back almost 20 years while often taking us 20.000 light years forward. this is no exception.

the second ep of samuel rohrer’s range of regularity album presents two more striking reinterprations. these new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent lp as a starting point from which to journey into sonically vibrant, feature-rich territories. the production specialists on hand for this project include burnt friedman and ricardo villalobos. villalobos, has already formed a strong working relationship with rohrer’s ambiq trio, lends his talents to both of the eps. (ror remixes i - amel-ep716). nonplace label boss friedman, as well, has carved out a unique space for himself within the electronic world, logging several decades’ worth of releases that with dub-wise production sensibility, skewed humor, and riots of tone color. though each individual remix has its own character, they are all united in their ability to provide a quick cure for fatigue with the common “loop”: though not improvised, they are strung together from fleeting phrases that evolve as if they are taking on a life independent of their creators. burnt friedman’s own dramatic interpretation of “microcosmoism” pairs up his consciousness of deep bass and analog inventiveness with rohrer’s continually transforming sound objects, making for a flowing and wordless narrative that simply dares listeners to stop paying attention. feeling more like a collaboration in “real time” than a remix proper, friedman brings his characteristic ‘mad scientist’ wit to the proceedings and delivers an energetic piece that simply glows in the dark. this is complemented nicely by villalobos’ remix of “microcosmoism”. it carries the energy level of the 1st ep over to a new disk, while heavily experimenting with feelings of emotional ambiguity. at some points aggressive and at other points merely curious, this mischievous collage of attitudes feels as inspired by the questing jazz of sun ra as it is by continental techno. contemplative keyboard runs, enthusiastic spring-like percussion and malfunctioning machine chatter all coalesce to make this a most fascinating piece of multi-purpose electronic music.

at the third new interplanetary melodies astral journey stopover, it was mandatory to catch an italian project deeply inspired by the sun ra visionary realm, expressing contemporary trials of hybridising jazz with artful electronica. so ra toth and the brigantes orchestra landed on vinyl grooves for the label, after having previously appeared on the likes of mathematics and berceuse heroique. behind the sound, we find the elusive and unpredictable genius of the well-respected producer marcello napoletano.
nim received the distorted sound signal from napoletano taken over by the egyptian deity born from the lips of ra. who knows if those noises were coming from a parallel dimension, outer space, or some otherworldly sphere...? submerged in dark bottom waters, the stormy waves of the acid sea are made of convulsive afro-flavoured percussion with sharp synths looming out like the ivories of some freakish abyssal creatures.

“songs of love sung by robots” from the moment this machine is booted bop begins buzzing with kinetic warmth. this is something characteristic of swarvy’s sound, the la-by-way-of-philly musical polymath with a vast catalog including sunsoaked live instrumentals, jazz-infused loops and lo-f gems. with bop, he is musical mad scientist, ?aunting his technical fnesse as he plunges into the realm of abstraction. swarvy makes his mark in bop even while grappling with its colder, industrial elements. with broken rhythms and jagged textures, he pieces together tunes of emotive beauty. the result is undeniably playful and delightfully odd, something like songs of love sung by robots. through its wavy ambience runs a current of aural ephemera - bits of speech samples, bossa riffs, and r&b with opaque origins. bop’s genrebending tracks will take you to ten compelling dimensions, forming an archeology of cyberspace and musical artifacts that’ll leave your cold robotic heart melting in the la sun.

>dusty ... definitely< from 1968 is considered one of her best albums. more a pop production than its predecessors, on it she explored more and different genres than she had done before, the cover >take a little piece of my heart< and motown-styled >aint no sun since you ve been gone< were produced by a young john paul jones (who had just gained fame with led zeppelin), and the album also features >who<, written by charles aznavour, and the indelible >think its gonna rain today<, written by randy newman.
music on vinyl is proud to add yet another legendary artist to its roster. and dusty is legendary... definitely!
pressing on 180 grams audiophile vinyl, innersleeve features picture of original mastertape.

the arrival of marvin parks on today’s musical scene can be considered a very fitting addition to the renaissance of the afro-american jazz crooner panorama, deeply rooted in the black music tradition. having his roots in gospel and in the ’50s and ’60s jazz singers by the likes of nat king cole, johnny hartman and joe williams, marvin parks yet remains by all means an artist of today.
in his debut marvin shapes his light baritone colors within the sound of a well-established group of musicians under the direction and production of nicola conte. the main idea was to create a soundscape to give a different light to well-known standards and some originals.

invisible starlight is a ripping tune by an unknown midwestern funk outfit with a driving backbeat and soaring horns. it sounds like ohio to us, but we can t be certain. however, we are sure that this band must have rocked local bowling alleys and lounges wherever they went. universal cave is proud to present our edit to our fellow 45 loving movers and groovers. on the flip, the beat broker rounds out the original with his signature style and an impeccable ear. the kind dub s sun drenched delay and reinforced drums ensure that invisible starlight will shine on any dancefloor.

lock eyes follows up last years contribution to in my dreams, with a blissed out and multicoloured ep for the main lobster imprint.
a soothing summer airstream coasting off of the adriatic, lock eyes turns in four kaleidoscopic house & techno jams for the lobster main label, keeping the summer sun rolling on through.

wiederveröffentlichung des 2010er albums mit mp3 download-coupon. pontiak ist eine us-amerikanische psychedelic rock-band, die 2005 in baltimore gegründet wurde. sie setzt sich aus den brüdern jennings, lain und van carney zusammen. auf ihrer farm in der nähe von warrenton, virginia, nehmen sie einen mix aus psychedelic rock und folk auf.

dilla- von abstract orchestra ist eine hommage an die arbeit des hochgelobten und einflussreichen produzenten. der opener -welcome to detroit / the diary- nimmt die stimmprobe von isaac hayes -man s temptation- und platziert sie gegen üppige bläser und treibende beats, während -workinonit- die originalen 10cc gitarrensamples aus dem dilla-original auf beißende trompeten und aggressive saxophone transportiert, wie immer von joost hendrickx auf trommeln untermauert. auf -stop- singt die sängerin anna uhuru den dionne warwick-gesang mit viel gefühl, während die band eine anordnung hinterlegt, die an die arbeit von david axelrod und don sebeskey erinnert, beide große inspirationsquellen für das abstract orchestra. -dilla- wurde erst kürzlich von gilles peterson in seiner bbc6 musik-radio-show gefeiert.

das liverpooler quartett clinic schickt sich an, dem erst vor wenigen monaten veröffentlichten album free reign einen kleinen bruder an die seite zu stellen. daniel lopatin, der das album bereits mit produziert hat und zur zeit insgesamt recht ordentlich beschäftigt ist bei domino (ducktails, peaking lights), hat sich das gute stück nochmal zur brust genommen und nach seinen eigenen vorstellungen durch den wolf gedreht. das ergebnis erscheint anfang märz auf lp only via domino. limitiert auf 125 stück für deutschland!

this second half of 2017 quintessentials will offer a lot of south american music. like from our long time friend and regular guest soul of hex! hailing from tijuana, soul of hex (also know as sebastien vorhaus) has a rich, nuanced and grainy style with an authenticity thats closer in sound to vintage detroit or new york pastures, despite his mexican heritage. busy djing, producing and running his own label vicario ltd, soul of hex is a driving force in the mexican scene. his new helipop ep offers different styles like a downbeat intro, a deep bassy rough house cut (helipop) plus 2 back to oldschool rave/warehouse tunes not afraid using some uplifting pianos, catchy vocals and deep basslines. house music all night long!

limitierter reissue des legendõren glenn underground-albums -the jerusalem ep s- von 1997, einer ausgezeichneten kollektion an house-tracks, die jazz-, soul- und funk-elemente mit rhythmisch-experimentellen strukturen verbinden. glenn underground stammt aus chicago und war gr³ndungsmitglied der strictly jaz unit. inspiriert von chicago-pionieren wie larry heard, ron hardy und lil louis, ver÷ffentlichte er einige hei?gesuchte house-tracks f³r einige der renommiertesten deep house-labels wie prescription und guidance.